Hey friends! Meet one of our intrepid interns, Maddie. Maddie came to us with a huge love of rap and hip hop, and when she told us that she bought a Ludacris album when she was barely old enough to know curse words, we knew we had to let her tell her story. The music we discover when we are young always makes an impression, and we are so happy hers led her to work with us.
It is the day after Christmas 2004 and I am sitting in the back of my parents car clinging onto my most precious possession. That year I had received matching Hello Kitty headphones and a Discman. This was the greatest gift of my young life because finally I could buy CDs to start my very own music collection. I had my parents up bright and early that day to drive to the store so I could buy CDs . As I sat in the car impatiently staring out the window I thought about what I wanted.
I did not grow up in the Seattle area, I was raised in the south, born in Atlanta before spending some years in North Carolina. This meant I was exposed to a different musical landscape growing up. I remember hearing rap and hip hop on the radio as far back as my memory goes. Not only were the southern radio stations simply playing hip hop, they included local acts and more experimental rap on their stations. The ‘Dirty South’ provided me with my first glimpse into the complexity and creative energy of hip hop. I was intrigued by this music, because unlike many other genres I had been exposed to, it didn’t feel stagnant or boring. It was alive and growing and creating sounds no one had heard before.
I already knew what CDs I had to purchase. The most important one I could think of was The Red Light District by Ludacris. Ludacris would soon become my favorite rapper, and today I still consider him to be one of the best. As a kid I was attracted to his style because it was outlandish, cartoonish, filled with humor, and his music was as catchy as you can get. I mean, have you seen the cover? I thought it was the funniest thing when I first saw it.
As soon as I got home I plugged in my headphones, plopped right down on my bed, and turned on Ludacris. I knew that many of the things he was rapping about were probably not things my parents would love, and of course that added to the appeal. But I was young, and if I’m being honest, I usually had no idea what he was talking about. My first experience with rap was listening to how the words resonated and played off the beat. I heard music in a different way from then on, focusing on how each part of the song connected to create the experience. The song that influenced me most from that album, even though it has an amazing track list, was “The Potion.” The production made it sound like something from the future. It sounded brand new and I loved it.
In 2008, when I was in 8th grade, I moved from the South all the way to the awesome Pacific Northwest, where I experienced some intense culture shock. A lot about the South was different than Seattle, but the biggest shock was that my friends weren’t listening to rap. They were living off a musical diet only of folk and indie rock. I saw that rap was considered incredibly uncool, the opinion being that it was too corporate and not relatable to at all. I was at the risk of not fitting in with the other kids in school, a fate worse than death at that age. I decided to immerse myself in the indie rock scene of Seattle. It was then that I first started listening to bands like The Lonely Forest and The Long Winters, and I saw that rock in Seattle was the same as rap in the South – it represented the community I was in. This was the last time I was going to exclude myself from any genre, and thanks to the musical diversity in Seattle, I listened to as much divergent music as I could find.
Thankfully, the opinion on rap in the alternative mainstream would change in the Pacific Northwest and around the country. Nowadays Seattle is quickly becoming a city with heavy influence in the hip hop scene. Rap is in an extremely exciting place right now. You can experience the best of creative collaborations between genres. You have Danny Brown working with Purity Ring, and Big Boi with Phantogram. You have rappers like Chance the Rapper and Vic Mensa, out of Chicago’s Savemoney crew, experimenting with live instruments and a plethora of influences in their music. We have even had some first hand experience of this in the Lively Lounge when Aer came to play their blend of rock, pop, reggae. It’s as exciting as it was when I first plugged in those Hello Kitty headphones and had my world changed when I was just discovering what I loved. I can’t wait to hear what happens next.
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